Janet Jones (1952-2025) was born in Montreal, and studied painting and photography at Concordia University with Guido Molinari and Yves Gaucher. She received her MFA from York University and her PhD in Art Theory and Criticism from New York University, where her thesis focused on Clement Greenberg and the Artist/Critic Relationship. She taught in the Department of Visual Art at York University, where she served as Chair and Director of the MFA/PhD Program.

Her paintings have been exhibited across Canada and internationally in Los Angeles, New York, England, Germany, France, and China. Significant exhibitions include The Dream Machine at Patrick Mikhail Gallery, Montréal (2017); Playtimes at Katzman Contemporary, Toronto (2015); and DaDa Delirium, a national touring exhibition accompanied by a critical catalogue (2011).

Robert Game is a Toronto-based master printer. He holds a BFA from the University of Alberta in Edmonton and has participated in many solo, group and juried exhibitions in Canada, the US and Europe. His work is in many major corporate collections, public galleries, and private collections. 

R.O.I Olou is a multidisciplinary artist who creates work that references personal experiences, ontology, and intuition, inspired by speculative fiction, science and popular culture.

Judy Anderson is nêhiyaw from Gordon First Nation, Treaty 4, Saskatchewan. Her practice includes beadwork, quillwork, installation, three-dimensional pieces, painting, and collaborative projects; her work focuses on spirituality, family, colonization, decolonization, and nêhiyaw ways of knowing and being. Her current work is created with the purpose of honouring people in her life and nêhiyaw intellectualizations of the world. She is a Professor of Canadian Indigenous Studio Art in the Department of Art and Art History at the University of Calgary. 

Christina Battle is an artist, curator, and writer based in amiskwacîwâskahikan (Edmonton), within the Aspen Parkland: the transition zone where prairie and forest meet. Her practice focuses on thinking deeply about the concept of disaster: its complexity, and the intricacies entwined within it. She looks to disaster as a series of intersecting processes including social, environmental, cultural, political, and economic, which are implicated not only in how disaster is caused but also in how it manifests, is responded to, and overcome.

Battle’s practice prioritizes collaboration, experimentation, and failure; she has exhibited internationally in festivals and galleries as both artist and curator.

Naomi Okabe is a Canadian media artist, writer, and creative researcher working at the intersection of documentary and science fiction storytelling. Her films have premiered at festivals such as Hot Docs International Documentary Film Festival, Kingston Canadian Film Festival, and the Science New Wave Festival, and her creative work has been funded by the Canada Council for the Arts, the Ontario Arts Council, and commissioned by the Agnes Etherington Art Centre. Naomi is currently pursuing a PhD in Screen Cultures and Curatorial Studies in Film and Media at Queen’s University, where she is thinking about technologies of care. Her writing is forthcoming in Predictions by Mattering Press, Palgrave Macmillan, and KOSMICA Magazine. Naomi also co-runs Séance Centre, a record label and publisher.

Emily Pelstring is faculty in the Department of Film and Media at Queen’s University. Her creative work has been supported by grants from the Social Sciences and Humanities Research Council, the Canada Council for the Arts, and the Ontario Arts Council. She uses surreal and idiosyncratic storytelling to explore links between technology, spirituality, and illusion, bringing together interests in reclaimative myth-making, speculative futurisms, and camp aesthetics. Her animations and installations incorporate analog and digital effects processes. Emily is engaged in ongoing artistic collaborations with Jessica Mensch and Katherine Kline under the moniker The Powers, and was a core organizer of an international symposium called The Witch Institute.